From Omission to the Mediation of Conflicts between Chinese and Western Narrative Norms and Poetics: A Case Study of English Translation of Wolf Totem
DOI:
https://doi.org/10.63939/ajts.hnptva93الكلمات المفتاحية:
Wolf Totem، Omissions، Narrative Norms، Narrative Poetics، Chinese Ethnic Minority Literatureالملخص
As a work of Chinese ethnic minority literature, Wolf Totem embraces a narrative structure and discourse rich in national and ethnic historical overtones, while also aligning with the narrative conventions of Chinese novels. This study, based on Howard Goldblatt’s English translation, investigates how the translator reshapes the text’s narrative structure and discourse through the strategy of “omission”, and explores the resulted narrative effects. The analysis is situated within the broader context of the differing narrative poetics of Chinese and Western literary traditions. Drawing on the concepts of “grand narrative” and “little narrative” as well as “duration” and “narrative speed”, the study reveals the translator’s motivations and strategies in negotiating the tensions between Chinese and Western narrative norms. Furthermore, it revisits the relationship between modern and postmodern theories in Translation Studies (TS), advocating for a renewed focus on the translator, the translated text, and ideology through the lens of narrative conventions and underlying poetics. In this light, this study seeks to promote cross-cultural understanding and dialogue between source and target language cultures through the practice of translation.
التنزيلات
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