Moroccan Cinema: The Poetics of Creativity and Artistic Dynamic

Authors

DOI:

https://doi.org/10.63939/ajts.kcqdr417

Keywords:

Cinema, Society, Creativity, Woman, Aesthetics

Abstract

In this study, we examine and analyze the trajectory of Moroccan cinema, both in terms of its artistic progress and the aesthetic and intellectual diversity that characterized some of its films. We also offer an interpretation of these remarkable films and the artistic diversity they presented. Thus, we demonstrated the aesthetic creativity of these films by analyzing its most important components. We also addressed the major social themes they present, multiple and varied, such as the defense of women and the social rights of the poorest, and discussed issues that weaken the structure of society, such as rape and prostitution. We also conducted a detailed analysis of the types of characters present in these films, reflecting their diversity and richness. Finally, we demonstrated the creative dynamism this cinema has witnessed and the qualitative leap represented by women's cinema.

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Author Biographies

References

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Barthes, R. (1997). Introduction à l’analyse structurale des récits. Dans Poétique du récit. Éditions du Seuil

Duvignaud, J. (1967). Sociologie de l’art. Presses universitaires de France

Eizykman, C. (1976). La jouissance-cinéma. Union générale d’éditions

Hamon, P. (1997). Pour un statut sémiologique du personnage. Dans Poétique du récit. Éditions du Seuil

Morin, E. (2015). Les stars. Éditions Points

Published

2026-01-30

How to Cite

Moroccan Cinema: The Poetics of Creativity and Artistic Dynamic. (2026). Arabic Journal for Translation Studies, 5(14), 172-178. https://doi.org/10.63939/ajts.kcqdr417